
Last Sunday, I went to a local temple where they had this annual swinging competition to see who could swing the highest. It was this huge swing set made out of bamboo, probably about 40 to 45 feet high. In the center were these two very long bamboo rods, instead of rope, that led down to a skinny wooden bench. At about head height, standing on the wooden bench, there was a hook to fasten in a safety clip that itself was attached to a suit that the competitors put on before mounting the swing (by way of a ladder). Once on, the young boy or seasoned, red-mouthed champion squatted down upon the seat, holding high on the bamboo with their hands. Two men below, with another long shaft of bamboo (notched at one end), would catch the seat of the swing and then in two attempts swing the individual as high as they could. Then, of course, it’s up to the person on the swing.
I could tell by the first person I watched that it was quite difficult, that much effort could be exerted without having much result. Unlike a cord swing that you can twist in your hands to create swing, the bamboo poles were inflexible and could only be manipulated by the piston like motion of the person on the swing. Flexing up, basically pushing up from the lowest part of the swing, and then falling back down after the pitch. I could also tell, by the second person I saw, that much skill could be involved, because despite the difficulties of the bamboo, the man was able to go almost horizontal, at which point it seemed miraculous that it was happening at all, that the man had broken some fundamental law. At the highest pitch, as if to scorn the world, he kicked up his right leg high, and also leaning back so quickly that I thought he might loose his grasp, and the crowd cheered.
It seemed only a matter of time before an older man grabbed my arm and began motioning to the swing. At first a woman nearby scolded him to leave me alone, but soon I was on the stage anyway where there were judges and a woman announcer, and they were asking where I was from. I don’t know if you’ve ever been taken completely in charge by an older man who you doesn’t necessarily speak your language but who nevertheless knows what’s best for you. It’s one of the more sacred experiences of traveling abroad. I remember one time in Greece when I slipped and almost fell in a food market, an old man abruptly scolded me in Greek. A young butcher, with a cigarette in his mouth, informed me that he said, “if you’re going to fall, why walk around with your hands in your pocket?” Of course, I remember thinking at the time. Obvious.
Getting on the swing was by far one of the more exciting things, especially to look down and see a sea of unfamiliar faces looking up at me. But I let fly—or rather I was set fly by the two men below—and after a good go descended the set. A man came up to me later with a video camera asking questions in Chinese and an organizer who helped me into my suit translated, so I told them, the camera, that I was very happy, that it was very good to be on the swing, and that I was an English teacher in Chiayi, which seemed appropriate. They invited me back next year, and an older man, who performed a near horizontal feat himself (ending with the same victory, death-defying leg salute) told me that he would teach me how to swing, and began demonstrating right there for me the basic moves.
They gave me a large, double-layer stainless steel cooking pot for competing and after watching for a bit I wandered off because I felt awkward standing there with this huge box under my arm. I walked around and it reminded me of the carnival grounds at Stewartstown, but no Skeeball. Of course, here there were many more interesting snacks (are criss-cut fries even interesting?) There were also some local booths, and a used books tent that I looked through as well. Saw an enormous Chinese-English Dictionary, and also a Chinese calligraphy book that I looked through. For several pages, it detailed how to draw one smudge resembling the last digit of your pinky. For the relatively small and inconsequential mark, there were six brush movements. I thought, (sigh) “another day.” And then I thought, “but soon—but soon.”







